| * = composed for Amadinda Percussion Group | |
Contemporary works for percussion only | |
| ANDERSSON, Fredrik | The loneliness of Santa Claus |
| ASKILL, Michael | * Spirals Lemurian Dances |
| BALASSA, Sándor | Quartetto Op. 18. |
| BECKER, Bob | Mudra Unseen Child |
| BRYARS, Gavin | One Last Bar Then Joe Can Sing |
| CAGE, John | 4'33" Quartet Trio Amores Living Room Music Credo in Us First Construction Second Construction Third Construction Imaginary Landscape No. 1-3 Child of Tree Branches But What about the Noise of Crumpling Paper... Six One4 Three2 * Four4 ¢Composed Improvisation for snare drum alone |
| CAGE, John - HARRISON, Lou | Double Music |
| CHAVEZ, Carlos | Toccata |
| COWELL, Henry | Pulse |
| DUKAY, Barnabás | Mist hovering over the face of the deep - in the swirling evening winds- instrumental motet for four marimbas |
| EÖTVÖS, Péter | Psalm 151 |
| GÉMESI, Géza HARRISON, Lou | Quartetto per percussioni The Song of Quetzalcoatl Canticle No. 1 |
| HOLLÓ, Aurél | Gamelan-bound / beFORe JOHN2 * 39 - the Dream of the Manichaeian/beFORe JOHN3 * José / beFORe JOHN5 * Zen Gardens * ...for John... |
| HOLLÓ, Aurél - VÁCZI, Zoltán | * Traditions I-II. / beFORe JOHN7 |
| HUANG, Wan-Jen | Adventures |
| JENEY, Zoltán | Pontpoint |
| KERÉKFY, Márton | Schlag-Spiele |
| KOCSIS, Zoltán | * Last Encounter |
| KONDO, Jo | A Volcano Mouth |
| LÁNG, István | * Chagall Flies Away Over His Sleeping Vitebsk |
| LIGETI, Lukas | Pattern Transformation * Independence |
| MÁRTA, István | * Doll's House Story |
| MEY, Thierry de | Musique de Table |
| REICH, Steve | Music for Pieces of Wood Piano Phase (version for two marimbas) Drumming - Part One Nagoya Marimbas * Mallet Quartet |
| REMÉNYI, Attila | Quartetto Apokalipsys |
| SÁRY, László | * Omphale's Spinning Wheel Pebble Playing in a Pot Sunflower Polyrhythmia (for installation of 100 ceramic bells) |
| TAïRA, Yoshihisa | Hierophony V |
| TAKEMITSU, Toru | Rain Tree |
| VÁCZI, Zoltán | * Reconstruction / beFORe JOHN6 * Table Magic / beFORe JOHN8 * Over the Glass Mountain... / beFORe JOHN9 |
| VAJDA, Gergely | * Non-figuratív |
| VIDOVSZKY, László | * Narkissos and Harpyes * Hoquetus |
| WESTLAKE, Nigel | Omphalo Centric Lecture |
| WOOD, James | * Village Burial with Fire |
| XENAKIS, Iannis | Peaux from Pleiades Persephassa Okho Psappha Rebounds |
Contemporary works for percussion with other instruments or orchestra | |
| BARTÓK, Béla | Sonata for two pianos and percussion Concerto for two pianos, percussion and orchestra |
| BIZET, George - SHCHEDRIN, Rodion | Carmen Suite (for percussion and strings) |
| CAGE, John | Dance Music (for piano and percussion) Fads and Fancies in the Academy (for piano and percussion) Four Dances (for piano and percussion) She is Asleep (for voice, piano and percussion) Forever and Sunsmell (for voice and percussion) The Wonderful Widow of Eighteen Springs (for voice and closed piano) A Flower (for voice and closed piano) Five4 (for two saxophones and percussion) ¢Composed Improvisation (for snare drum and bass guitar) |
| CRUMB, George | An Idyll for the Misbegotten (Images III, for flute and percussion) Music for a Summer Evening (Makrokosmos III, for two pianos and percussion) |
| HARRISON, Lou | First Concerto for Flute and Percussion Concerto for the Violin (for violin and percussion) |
| HOLLÓ, Aurél | Viola Express (for viola and percussion) |
| HOLLÓ, Aurél - VÁCZI, Zoltán | * Heads or Tails? / beFORe JOHN4 (for soprano saxophone solo, two flutes and percussion) |
| JENEY, Zoltán | * Il silenzio dei morti (for voice and percussion) |
| JOLIVET, André | Suite en concert (for flute and percussion) |
| LIGETI, György | * Síppal, dobbal, nádihegedűvel (With Pipes, Drums, Fiddles) (for voice and percussion) |
| ORTIZ, Gabriella | Altar de piedra (for percussion and orchestra) |
| PETROVICS, Emil | * Passamezzo & Saltarello (for violin and percussion) |
| REICH, Steve | Drumming (for voices, piccolo and percussion) Music for Mallet Instruments, Voices and Organ Sextet (for two keyboard players and percussion) Dance Patterns (for two pianos and percussion) |
| SÁRY, László | * Miniatures (for voice and percussion) |
| STOUT, Gordon | * Route 666 (for marimba solo and percussion) |
| SZTOJANOV, Georgi | * Flute Concerto (for flute and percussion) |
| TAKEMITSU, Toru | From me flows what you call Time (for percussion and orchestra) |
| TAN, Dun | Elegy: Snow in June (for violoncello and percussion) |
| WESTLAKE, Nigel | Malachite Glass (for bass clarinet and percussion) |
Classical transcriptions, traditional music, ragtimes & jazz standards | |
| DEBUSSY, Claude | Three movements from Children's Corner Danse Clair de lune (from Suite Bergamasque) Pagodes (from Estampes) La Cathédrale engloutie from Preludes I. (for organ and percussion) |
| GIBBONS, Orlando | Selected Keyboard Music |
| MUSSORGSKY, Modest Petrowitsch | Three movements from Pictures at an Exhibition |
| RAVEL, Maurice | Ma mère l'oye Alborada del gracioso Le tombeau de Couperin |
Traditional music from Ghana, Gabon, Malawi, Uganda, Zimbabwe, Bali, Tahiti, Tonga, China, Basque Country, Bulgaria | |
Ragtimes by George Hamilton Green, Scott Joplin Jazz standards (adapted for mallet instruments by Amadinda) Gershwin medley (arranged by Aurél Holló) | |
Amadinda on Youtube | |
